With Sand Clock, the trio deepen this language. The album leans more directly into the melodic clarity and romantic tension of late-80s and early-90s darkwave and synthpop while maintaining the stark restraint that defines the project. Icy synthesizers, shuddering basslines, and precise drum machine programming frame baritone vocals that are intimate, emotionally exposed, and quietly apocalyptic.

Balancing pop structure with gothic atmosphere, Sand Clock moves between shadowed dance floor momentum and solitary headphone introspection. It is not an exercise in revivalism, but a continuation—an acknowledgment that the emotional architecture of that era remains unresolved and still relevant. Written and produced by Donato Dozzy, Lino Monaco, and Nicola Buono and recorded in Rome and Pompeii.

The vinyl edition is pressed on clear 160-gram vinyl, limited to 500 copies worldwide. Each record is housed in a heavy printed jacket with a printed inner sleeve.

PRE-ORDER NOW AVAILABLE. ORDERS WILL SHIP ON APRIL 23RD.

Formed in Athens in 1988 by Alex Machairas and Nik Veliotis, In Trance 95 quickly became known for their stark, minimal synth sound, distinguished by hypnotic melodies, analog textures, and a futuristic edge. At a time when electronic music was still emerging in Greece, they were true innovators, blending the raw spirit of early EBM with a distinctly Mediterranean sense of space and atmosphere. Over the decades, their work has earned cult status among fans of underground electronic music worldwide.

Carefully pressed at 45rpm for optimal sound quality, the EP is designed to move dance floors and offer a rich listening experience at home. It comes on heavyweight 180-gram black vinyl, limited to 543 hand-numbered copies.

Pre-order is now available—secure your copy in time for In Trance 95’s first-ever U.S. performance at Minimal Wave’s 20th Anniversary event in New York City on May 17th, and have your record signed by the duo.

Official release date: May 27, 2025. Records will begin shipping then.

Blending commanding rhythms with melancholic undertones, Scooterboys from the Pool is a descent into shadowy textures and dystopian landscapes, where driving basslines meet icy, mechanical beats in a pulsing haze of underground spirit.

At the heart of the album is the title track, Scooterboys from the Pool—a haunting rework of Bronski Beat’s iconic Smalltown Boy. Reimagined through ABF’s signature lens, this version strips the original to its essence, replacing its shimmering synths with something colder, heavier, and more urgent while preserving the emotional weight of its narrative. This track has been played at numerous DJ sets, and each time, it cuts through the room like a ghost from the past—achingly familiar yet transformed, stirring something deeply personal with its raw intensity.

This release is pressed on 160-gram black-in-milky-clear vinyl, housed in a 350gsm sleeve, and strictly limited to 500 copies.

A massive thank you to Heathen Electronics and X.S.S. Recordings for making this release possible.

Pre-orders are now live. Release date: April 30th, 2025.

In Andrew’s own words, the album “represents a sonic analog to the visual art movement of the 1960s,” meaning it is both densely layered and psychedelic, yet aims to capture a sense of minimalism in its tradition, theory, and conceptual approach. Co-producer Tyler Green joins Andrew in shaping this sound, adding his own unique production style to the mix.

OP-ART’s sound is heavily influenced by the New Wave genre, drawing inspiration from artists such as John Foxx, Martin Dupont (with whom Andrew has collaborated on a track), Experimental Products, and early OMD. True to their commitment to authentic analog sound, OP-ART eschews digital plug-ins in favor of a wide array of analog synthesizers and outboard rack effects units. The album features a diverse collection of synthesizers including the EML 500, Arp Odyssey, Arp Omni2, Jupiter 6, SH-02, SH-101, Moog Rogue, and Roland Promars. Each piece of equipment contributes to the album’s lush, rich soundscapes, creating a tactile and immersive listening experience.

The Final Act, the title of the LP, is a testament to the duo’s ability to blend catchy melodies with profound emotional depth. The album offers an introspective journey through themes of time passing, romantic entanglements, and existential reflections on an apocalyptic scale. With its evocative sound and thoughtful lyrics, The Final Act promises to resonate deeply with listeners, making it a compelling and significant debut from OP-ART. Release date: October 1st, 2024.

NOTE: PRE-ORDER ONLY. RECORDS SHIP EARLY OCTOBER.

PRE-ORDER NOW AVAILABLE. RECORDS SHIP ON MAY 21ST, 2024.

In an exciting development, the fifth edition of the Oppenheimer Analysis self-titled EP is set to debut in December, featuring the original remastered version of ‘The Devil’s Dancers.’ This EP is presented as a loving tribute to Martin Lloyd (1950-2013 R.I.P.), one half of Oppenheimer Analysis. The EP showcases select tracks from the 1982 Oppenheimer Analysis cassette titled “New Mexico,” along with two previously unreleased gems. The story behind Oppenheimer Analysis began when Andy Oppenheimer, a nuclear weapons consultant, and Martin Lloyd, also known for his work with the Survival Label and the project “Analysis,” crossed paths at a Science Fiction Convention in London in 1979. They shared the stage with notable bands like Hawkwind and Spizz Energi and garnered attention in the pages of Melody Maker.

This fifth edition release consists of 999 meticulously hand-numbered 180-gram black vinyl copies, each accompanied by the first edition poster insert. Notably, the spot color on the sleeve distinguishes each edition: green for the first, deep blue-green for the second, light powder blue for the third, mint green for the fourth, and a brighter aqua mint for this current fifth edition. Stay tuned for an upcoming interview with Andy Oppenheimer, promising deeper insights into the band’s rich history and music.

PRE-ORDER NOW AVAILABLE. RELEASES IN EARLY DECEMBER.